Theatre of the Absurd is a genre of plays mainly produced in Europe in the 1950's and 60's. Some of the playwrights considered central to Theatre of the Absurd are Samuel Beckett, Eugène Ionesco, Jean Genet, Arthur Adamov, and Harold Pinter, author of The Dumb Waiter. Plays in the genre generally put forth the idea that life is random or meaningless and show humans struggling to find purpose and control. The plays generally have tones of negativity, tragedy, and boredom, though many also include elements of comedy. The Theatre of the Absurd movement also shocked audiences with revolutionary approaches to language, plot, and character. Compared to theatre of the early 20th century, poignant and metaphorical language and repetitive actions took the place of realistic dialogue and plot.

Theatre of the Absurd was popularized as a genre in large part by Samuel Beckett's 1952 play Waiting for Godot. The influence of Beckett on Pinter, and of Waiting for Godot on The Dumb Waiter, is clear. Both Waiting for Godot and The Dumb Waiter are absurdist, one-act plays in which two male characters wait for a third man to arrive. Both include repetitive dialogue, absurd actions, hierarchy, questions, and a lot of waiting. Pinter acknowledged this influence, once stating in an interview, “If Beckett’s influence shows in my work that’s all right with me. You don’t write in a vacuum: you’re bound to absorb and digest other writing and I admire Beckett’s work so much that something of its texture might appear in my own” (Sadreddini).

First in a series will be Harold Pinter’s timely short play, The Dumb Waiter, with Dan Reichard as Ben and Tim Habeger as Gus. The show is directed by John Ammerman with an original score by Jeffrey Butzer. Harold Pinter's The Dumb Waiter is a short one-act play that deals with existentialism and the search for meaning, as experienced by two hitmen awaiting their target. While the men are waiting.

Two major elements of absurdity in The Dumb Waiter are lack of action and repetitive dialogue. For example, Gus tries to ask Ben questions throughout the play, but rarely gets answers. This leads to him asking the same question again or asking other questions, increasing the tension between the men but not advancing the plot. Ben finally lashes out at Gus about his questions, saying, 'What's the matter with you? You're always asking me questions. What's the matter with you?..You never used to ask me so many damn questions. What's come over you?..Stop wondering. You've got a job to do. Why don't you just do it and shut up?' (99.) This quote again includes repetitive dialogue, and it clearly underscores themes of struggling with meaninglessness and lack of control.

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作者: Harold Pinter
出版社: Samuel French Ltd
副标题: Play (Acting Edition)
出版年: 2015-1-31
页数: 54
定价: USD 6.03
装帧: Paperback
ISBN: 9780573042102

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内容简介 ······

Gus and Ben are on the job, waiting and listening. Into the waiting silence rattles the dumb waiter with extraordinary demands for dishes they cannot supply - and who is operating the dumb waiter in an empty house? In a while their victim will come and they will know what to do.

作者简介 ······

Harold Pinter CH CBE (/ˈpɪntər/; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for ..

Harold Pinter CH CBE (/ˈpɪntər/; 10 October 1930 – 24 December 2008) was a Nobel Prize-winning British playwright, screenwriter, director and actor. One of the most influential modern British dramatists, his writing career spanned more than 50 years. Manageengine service desk license file crack. His best-known plays include The Birthday Party (1957), The Homecoming (1964), and Betrayal (1978), each of which he adapted for the screen. His screenplay adaptations of others' works include The Servant (1963), The Go-Between (1971), The French Lieutenant's Woman (1981), The Trial (1993), and Sleuth (2007). He also directed or acted in radio, stage, television, and film productions of his own and others' works.

Pinter was born and raised in Hackney, east London, and educated at Hackney Downs School. He was a sprinter and a keen cricket player, acting in school plays and writing poetry. He attended the Royal Academy of Dramatic Art but did not complete the course. He was fined for refusing National service as a conscientious objector. Subsequently, he continued training at the Central School of Speech and Drama and worked in repertory theatre in Ireland and England. In 1956 he married actress Vivien Merchant and had a son, Daniel, born in 1958. Descargar matlab 32 bits con crack gratis. He left Merchant in 1975 and married author Lady Antonia Fraser in 1980.

Pinter's career as a playwright began with a production of The Room in 1957. His second play, The Birthday Party, closed after eight performances, but was enthusiastically reviewed by critic Harold Hobson. His early works were described by critics as 'comedy of menace'. Later plays such as No Man's Land (1975) and Betrayal (1978) became known as 'memory plays'. He appeared as an actor in productions of his own work on radio and film. He also undertook a number of roles in works by other writers. He directed nearly 50 productions for stage, theatre and screen. Pinter received over 50 awards, prizes, and other honours, including the Nobel Prize in Literature in 2005 and the French Légion d'honneur in 2007.

Despite frail health after being diagnosed with oesophageal cancer in December 2001, Pinter continued to act on stage and screen, last performing the title role of Samuel Beckett's one-act monologue Krapp's Last Tape, for the 50th anniversary season of the Royal Court Theatre, in October 2006. He died from liver cancer on 24 December 2008.

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无论是一部作品、一个人，还是一件事，都往往可以衍生出许多不同的话题。将这些话题细分出来，分别进行讨论，会有更多收获。

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很久之前看一本小册子的时候注意到了《送菜升降机》，介绍写的狗血无比，一看之下却完全不是那么回事。另外一种狗血，也就是看荒诞剧的时候你才能肆无忌惮的嘲笑荒诞。通篇无意义，却实在让人喜欢。很喜欢Gus，如果生活中有这种饶舌男人，我一定会像Ben一样上去揍他两拳。 .. (展开)

The Dumb Waiter Harold Pinter Text

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